
With the release of RIver imminent, UDC believes himself safe. As time runs out, the Jackal must use all his skills to reach his target.
Bianca gains insight into a secret file. She learns the true identity of the Jackal and how he became a contract killer.
The Jackal and Bianca head to Tallinn ahead of UDC’s announcement. The Jackal must use all his wiles as he prepares to take his shot.
Following his shootout with Bianca, the Jackal must escape his captors and regroup ahead of his next hit, as Bianca follows his trail.
The Jackal visits Norman with a special commission… but with Bianca also tracking Norman down, she is starting to close in on him.
His vengeance fulfilled, the Jackal flees Munich and tries to quell Nuria’s suspicions. Bianca follows a new lead in her hunt.
Armed with the knowledge of his wayward client’s identity, the Jackal tracks him down in Munich, determined to settle the score.
With his client backing out of payment, the Jackal’s reputation is on the line, and he starts to plot his revenge.
When an elite assassin carries out a kill, it catches the attention of an intelligence officer, who starts to hunt him down.
Brady makes a drastic decision to save the studio which causes a catastrophic rift in his relationship with Stahr. Monroe and Kathleen grapple with the emotional fallout of her dark deception. Rose forges a new path in life. ...
Stahr concocts a campaign to secure the studio’s first ever Oscar nominations. Brady scours for a solution to balance the books and get the Board of Directors off his back. Celia’s mettle as a producer is tested ...
Stahr hunts for the perfect publicity angle for Kathleen, while managing reactions to his big news. Brady hatches a bold business ploy that has sweeping consequences for the studio and forces Monroe to contain the ...
Stahr encourages Kathleen to join Lang’s secluded rehearsal, leaving him alone on Christmas Eve to contemplate his choices. Brady hopes for a Christmas miracle as he schemes to boost ticket sales for « Angels on the ...
Stahr orchestrates an extravagant Hollywood party that masks a secret agenda. Brady courts Margo Taft to become Brady-American’s permanent leading lady. Rose is tortured by Stahr’s public happiness and ...
Irving Thalberg’s death sends shockwaves throughout the industry, and causes further insecurity from Brady about his own golden boy. Monroe risks his budding relationship to save a movie and Brady American. ...
With Pat Brady’s back against the wall, he proves his worth as a studio head in pursuing film star Margo Taft. Monroe must manage two demanding bosses as Louis B. Mayer takes a driving role in Brady American. Rose seeks ...
Monroe’s personal life heats up as he pursues the beautiful Kathleen, who pushes against the idea of being a replacement for Minna. Pat Brady’s pet project has a devastating debut, forcing him to accept ...
From F. Scott Fitzgerald’s last work, The Last Tycoon follows Monroe Stahr, Hollywood’s Golden Boy as he battles father figure and boss Pat Brady for the soul of their studio. In a world darkened by the Depression ...
Jesus refuses to look and act like the Messiah everyone expects—arriving like a lamb instead of a lion and riding a donkey instead of a war horse.
Jesus brings Lazarus back to life—and sets off the chain of events that will lead to His own death.
Jesus and the disciples celebrate Hanukkah. Matthew confronts Judas about irregularities, and the festival turns into a fight, then flight. The disciples escape with their lives, but learn a friend hasn’t been so lucky.
Roman soldiers demand the disciples carry their armor, but Jesus goes one step farther. Frustrated by the direction of Jesus’ ministry, Judas visits an old friend for advice.
Beginning with a funeral procession, time marches rapidly toward the final days of Jesus’ ministry. While the disciples seek status for themselves, a Roman ruler comes with a humble request.
When Jesus heals a blind man on the Sabbath, religious leaders confront him, drawing a riotous crowd. Gaius defies a direct order leading Quintus to take matters—and someone’s life—into his own hands.